Idō _ Movement
artwork by Athiba Balasubramanian
Striving for balance in these uncertain times with a 3rd invisible element that seems to be teaching us a lesson on priorities, life, and nature.
An inclusive independent journal with a focus on literature & art
poem by Priyanka Sacheti
It is dusk: almost just, really.
All day I sat motionless
in a locked, gray, windowless room
but now I am out in the streets,
empty ones though,
desolate beaches
where no one hears
the waves roar.
No children play hide and seek,
the dogs gaze mournfully
from stone-still windows
and even the birds have
gone elsewhere to sing.
The magnolia tree is celebrating
or mourning, it is hard to tell:
its petals are discarded poems
on the empty floor.
The striped roses soundlessly
fall one by one on the cold concrete:
they must have learned that trick
from the snow.
I steal the roses to bring home
and they now lie on my desk,
sleeping princesses in
sepia striped gowns.
There will be a time later,
when they awaken
and I will tell them stories of
empty streets and songless skies
and a weeping magnolia tree.
But for now,
I let them sleep,
the very least I can do
to preserve their sweet oblivion.
A gift I wish I could give myself
and everyone else
but alas not.
I trace the stripes on the petals:
beneath my fingertips,
they are a soft valley of peace.
Priyanka Sacheti is a writer and poet based in Bangalore, India. She grew up in Sultanate of Oman and has previously lived in United Kingdom and United States. She has been published in many publications with a special focus on art, gender, diaspora, and identity. Her literary work has appeared in Barren, The Cabinet of Heed, Popshot, The Lunchticket, and Jaggery Lit as well as various anthologies, the most latest one being, March 2020, a collection of poems written in response to the Covid-19 pandemic. She's currently working on a poetry collection.
She can be found at @atlasofallthatisee on Instagram and @priyankasacheti on Twitter.