Idō _ Movement
artwork by Athiba Balasubramanian
Striving for balance in these uncertain times with a 3rd invisible element that seems to be teaching us a lesson on priorities, life, and nature.

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Bats swarmed treetops growing up from a drop-off
across the street—trees a hundred feet high to a boy
three feet from the ground. Heat warned of storms,
embraced a sinister chill, dusk stretched out in ragged
branches of light. Leaves revealed their undersides —
a sign from the wind to get yourself in. The din of
the train in the distance mixed with the strangest siren
I’d ever heard, like an angel’s trumpet in the devil’s
spit of a rain — a baptism, as sky unfurled a bruised,
yellow calm. Then later that evening, my mind turns
from dreams to mother’s scream when she finds it —
the baby bat that heeded the warning, found its way
in through an open window — from that day forward,
my suspicions of an exquisite existence, confirmed.
Stephen Jackson lives and writes in the Pacific Northwest. Other work is forthcoming or appears in 433, The American Journal of Poetry, Hole in the Head Review, Impossible Archetype, The Inflectionist Review, Stone of Madness Press, and S/WORD, as well as on the International Human Rights Art Festival Publishes platform. @fortyoddcrows