My practice explores the digital hybridity of sculpture following the affirmation of media, exploring the nuances of identity that pivot between hyper-visibility and invisibility, offering (re-)imagined collective perspective.

My work chronicles the elevated reframing of black anatomy - unencumbered, in traction - the mediation between three-dimensional processes alongside the handmade aesthetic within an extended analysis of ‘Objecthood’; the resulting objects emerge contextually abstracted from traditional representational aesthetics - embedded in the everyday, collective experience through methods of display. Such ideological positioning shifts the normative function of figurative practices within this mode of self-referential questioning, which engenders a self-sustaining (non-) fiction rooted in authenticity and criticality that allows audiences to break free from reference once and for all in a new form of hybrid realism.